The “towers of death” and “poisoned air” prophecies discussed below are not attributed to any credentialed scholar named “Dr. Renzo Basker.” They trace to Renzo Baschera, an Italian author working in the popular paranormal and mystery genre, whose 1987 book “Le profezie di Rasputin” compiled and popularized this material.
Baschera also wrote an openly acknowledged novel about supposed prophecies from a Dresden nun, useful context for understanding what kind of source this actually is.
Who Was Grigory Rasputin?
The Established Peasant Advisor
Grigory Rasputin is documented Russian history. Born in 1869 in a small Siberian village, he rose from humble beginnings to become a trusted advisor to Tsar Nicholas II and Tsarina Alexandra. His well established reputation for unorthodox spiritual practices and claimed healing abilities made him a figure of fascination and fear in the royal court.

Historically verified Rasputin material does exist and predates the material discussed below. In 1912, Rasputin published a book titled “Pious Reflections,” containing his own verified spiritual writings. Separately, historians have confirmed his direct 1916 letter to Tsar Nicholas II, warning that his own murder would bring catastrophe to the royal family, a dated, verifiable primary record, distinct from the vaguer apocalyptic prophecy material addressed below.

The “Towers of Death” Source
The “towers of death” and “poisoned air” prophecies compiled and popularized in Renzo Baschera’s 1987 Italian book, and further distilled by later writers, have no clear, verifiable primary paper trail connecting them directly to Rasputin’s own hand or contemporary 1916-era Russian sources. This is a recognizable pattern in prophecy literature: material compiled decades or centuries after a historical figure’s death, in a genre explicitly built around dramatic reinterpretation, then presented to modern readers as if it were a direct, primary historical record.
Towers and Poisoned Air
The “towers” and “poisoned air” imagery has circulated widely online, reinterpreted across decades to fit whatever technology or crisis was current at the time: industrial pollution and nuclear fallout in the 1990s, 5G towers and vaccine side effects more recently. This pattern of continuous reinterpretation is itself worth noting directly: skeptics studying prophecy literature broadly describe this as a hallmark of vague, unfalsifiable prediction rather than genuine foresight, since the same text can be stretched to fit nearly any subsequent technological development.

Scientific consensus is clear that 5G technology poses no established health risk, and vaccine safety monitoring systems have specifically studied rare clotting events, finding them real but extremely uncommon and unrelated to any prophetic imagery.
The Poisonous Fruit of Technology
The “flying images” and “poisonous fruit” prophecy has similarly been reinterpreted repeatedly to match whichever new communication technology was current: television in earlier decades, smartphones and social media today. This repeated retrofitting across multiple, entirely different technologies over decades is itself evidence of the text’s underlying vagueness rather than specific technological foresight.
Monsters Without Souls
The “monster without a soul” prophecy has been applied to cloning fears in the 1990s and AI or genetic engineering concerns today. Bioethicists do take AI and CRISPR gene-editing ethical questions seriously, but as active contemporary policy debates grounded in actual technology, not as fulfillment of a vague, decades-old prophecy text of uncertain origin.
The Third World War Prophecy
The “two bloodthirsty princes” prophecy, describing East versus West conflict, is vague enough to have been applied to the Cold War, more recent geopolitical tensions, and virtually any other East-West rivalry across the past century, a recurring pattern rather than a specific, falsifiable prediction.

St. Petersburg’s Confirmed Name Changes
This section rests on verifiable history: St. Petersburg’s name did change to Petrograd in 1914, then to Leningrad in 1924, then reverted to St. Petersburg in 1991. These confirmed historical events happened. Whether a specific prophecy text accurately anticipated them, versus being written or popularized after the fact, or interpreted loosely enough to fit regardless, is an unresolved sourcing question given the text’s unclear origin.

Three Days of Darkness
This apocalyptic imagery is common across many prophetic and religious traditions, echoes appear in the Book of Revelation and in separate prophecy traditions attributed to Nostradamus. This shared imagery across independent traditions is itself worth noting: it suggests a common cultural well of apocalyptic imagery rather than one uniquely prescient source.
The “Two-Thirds Fulfilled” Framing
No established methodology exists for calculating that “two-thirds” of a set of vague, symbolic prophecies have been “fulfilled.” This is a rhetorical framing device common across prophecy literature broadly, not a measurable or falsifiable claim any credentialed researcher has actually verified.

Why Vague Prophecy Texts Persist
It’s worth explaining why material like this remains popular decade after decade. Psychologists studying belief in prophecy and prediction describe a well established pattern where vague, symbolic language allows readers to project current anxieties onto old text, a documented psychological phenomenon distinct from actual predictive accuracy. This pattern explains why the same “towers of death” passage has been read as industrial pollution, then nuclear fallout, then 5G towers, then vaccine side effects, across a single lifetime, each generation finding what it was already looking for.
Renzo Baschera and the Italian Prophecy Genre
The broader literary context Baschera’s work sits within is worth explaining, since it helps readers evaluate this kind of source accurately going forward. Renzo Baschera was a prolific Italian author working specifically within an established mid-to-late 20th-century Italian publishing genre focused on mystery, esotericism, and prophecy, publishing through dedicated occult-genre imprints like MEB’s “Manuali del mistero e dell’occulto” collection. Comparable works from this same genre and era include Baschera’s own separate book explicitly framed as a novel about supposed prophecies from a Dresden nun, direct evidence that Baschera’s broader body of work operated comfortably in the space between historical claim and creative reinterpretation. This genre context matters directly: a popular author writing for a dedicated paranormal-interest audience within an established literary tradition is a meaningfully different kind of source than a credentialed historian working from verified primary documents, even when both discuss the same historical figure.
Rasputin Scholarship Worth Consulting Instead
The credentialed historical scholarship on Rasputin that does exist is worth pointing toward for readers genuinely interested in his documented life and influence. Historians including Douglas Smith, author of the extensively researched 2016 biography “Rasputin: Faith, Power, and the Twilight of the Romanovs,” have worked from primary Russian archival sources, contemporary letters, and court records to reconstruct Rasputin’s actual, documented role in the royal court. This scholarship paints a genuinely fascinating picture of court intrigue, religious fervor, and political collapse, grounded entirely in verifiable primary sources, without requiring any invented apocalyptic prophecy material to remain a compelling historical story.
How to Evaluate Prophecy Sources Generally
A practical method readers can apply to any similar prophecy claim they encounter going forward is worth closing on. The useful question is not whether a prophecy sounds eerily specific in retrospect, but whether its actual source can be traced to a dated, primary document from the claimed prophet’s own lifetime, or whether it instead surfaces decades or centuries later through an identifiable secondary compiler working within an established prophecy-literature genre. Historians consistently favor the former, letters, published writings with clear provenance, contemporary witness accounts, over material that appears for the first time in a later popular book with no clear citation trail back to the original figure. Applying this simple test here reveals precisely the gap between Rasputin’s own verifiable 1916 letter and the considerably less traceable “towers of death” material that entered circulation through Baschera’s popular 1987 compilation, a meaningful distinction worth carrying forward to any comparable prophecy claim, whether attributed to Rasputin, Nostradamus, or any other historical figure whose name has since been attached to later, unverifiable material.
The Rasputin Worth Remembering
Rasputin’s well established life, his influence over the Romanov court, his 1916 letter warning of catastrophe following his own murder, and the historically significant collapse of the Russian Empire that followed his death, is dramatic history on its own terms. The vaguer apocalyptic prophecy material addressed above, popularized decades later through Italian paranormal literature, adds speculation rather than clarity to that already compelling historical story.